Sunlight on the Grass Essay Example for Free

Sunlight on the Grass Essay For the purpose of this assignment I will analyse two stories. Firstly I will examine the â€Å"Compass and Torch† by Elizabeth Baines and will demonstrate how the objects in the title relate to the characters of the story and represent key themes. I will then discuss â€Å"Something Old, Something New† by Leila Aboulela and highlight the ways in which the title relates to the story. Firstly the â€Å"Compass and Torch† is a story about a young boy setting out on a camping trip with his estranged father. The compass and torch are used symbolically throughout the narrative to reflect the boy’s feelings and relationship to his family. I feel that the compass symbolises a lack of direction or the absence of a relationship between father and son. This can be demonstrated when they are about to leave the car for their journey together at the bottom of the hill. â€Å"The man looks up – for the first time – at the path they will take, which runs from the gate to the brow of the hill. Then he groans: I didn’t bring a compass†. The lack of compass showing with nothing to guide them the chance for them to get closer in their relationship is doomed. However, the narrative continues to suggest that the compass is not required, that with love and hope in their hearts, father and son will always be bonded. â€Å"Compasses are things boys and dads tend to have, but which, when they are alert and strong at heart, they can leave behind.† The compass can also be seen as a metaphor for the pull of the boy between his divorced parents. This idea is shown when the boy had gone upstairs looking for his torch and overhears his Mother and her boyfriend Jim talking in the kitchen. â€Å"The boy might have remembered it, the compass, as they were leaving. But he couldn’t wait to get going, for it all to be over †¦Ã¢â‚¬ ¦ And the way his mother said hardly anything, and made her face blank whenever Dad spoke to her or looked her way†. This text demonstrates that mother and father remain hostile following their divorce and reflects the boy’s awareness of this and feelings of being in the middle of it all. The story demonstrates how the camping trip is an opportunity to strengthen the father son relationship, with the torch signifying the path of reconciliation, used as a tool to light the way to a new future. This is highlighted when, as the boy is sitting in his father’s car, he shows him he has brought his torch, representing the boys longing to bond with his dad.â€Å" as the man drops into the driving seat something in the boy’s chest gives a little hop of joy and he cries excitedly, ’oh I brought my torch!’†. This idea is further reinforced in the narrative when we discover both father and son have torches, â€Å"Two torches are for lighting a bigger space in the wilderness, for lighting it together. Two torches are for father and son to back each other up.† Furthermore, the colour of the torches seems to hold some significance. It is shown that the boy has a red torch whilst the father has a green one. I feel this is deliberate and hold connotations similar to a traffic light system where the red torch symbolises the lack of relationship with this father, with no way of moving forward whilst the fathers green torch reflects the idea of rebuilding the relationship, with the possibility of new horizons. Although not in the title of the story the horse is also symbolic of the boy’s mother and highlights further how Baines uses symbolism to represent characters throughout the narrative. For example whilst on his journey with his father a horse appears. â€Å"The horse comes up to the car. She nudges up, puts her nose over the edge of the door. The man bats her away† I feel this represents the mothers need to protect her son and the struggle the boy feels between his parents. The quote above illustrates the father not wanting the mother to be involved, to take a step back. Similarly â€Å"the horse nuzzles the rucksack top and the man pushes her away†. In Something Old, Something New, Leila Aboulela writes about a wedding due to take place between a Scottish man and his Sudanese bride. The title is therefore appropriate to the story as the popular wedding phrase something old, something new, something borrowed, and something blue. However, the title goes deeper than that and relates to the story in many more ways representing a number of key themes. The groom is depicted as a man desperate to find himself. He has dropped out of medical school and is unsure on which direction his life should take. He converts from Catholicism to Islam and his new spiritual world seems to have saved him. Indeed, the narrative demonstrates how his view of Islam is different to his brides. â€Å"She associated Islam with her dark skin, her African blood, her own weakness. She couldn’t really understand why anyone like him would want to join the wretched of the world. But he spoke with warmth†. Religion for her seems a flaw, but for him represents a new beginning in life. This theme of conflicting ideas of old and new is also depicted when he arrives in Egypt to meet his bride and her brother. Back in Scotland, her ethnic difference seemed exotic, exciting but once in her home country he realises its nothing new any more â€Å"He became aware that everyone looked like her, shared her colour, the women were dressed like her†. The author also utilises the Nile as a metaphor for the proposed marriage. The Nile is one of Egypt’s most anticipated sights, but on closer inspection the groom finds it is not as he expected â€Å"yes it’s beautiful he replied. But as he spoke he noticed that the rivers flow was forceful, not innocent, not playful. Crocodiles no doubt lurked beneath the surface.† I feel this represents the marriage that his idealised view of his wedding and his bride suddenly turning fearful, with the lurking crocodiles a metaphor perhaps for her overbearing brother. With this fear in place, the groom begins to yearn for the comforts of home and staying at the Hilton hotel represents to some degree the characters longing for home comforts. The Hilton used as sign of the Western world in contrast to the barren landscape of Egypt. †The hotel lobby was impressive, the cool tingling blast of the air-conditioner, music playing, an expanse of marble. He felt soothed somehow, more in control†. Another example of this is when the character struggles to follow the strict Islamic custom of mourning following the girls Uncle’s death. â€Å"He shrugged, he did not want to talk about it, was numbed by what had happened, dulled by the separation from her that the mourning customs seemed to impose.† Furthermore the anxiety he feels about this new culture is noted again â€Å"He had thought, from the books he’d read and the particular British Islam he had been exposed to, that in a Muslim country he would find elegance and reason. Instead he found melancholy, a sensuous place, stripped to the bare bones†. The idea of a new life and a new culture suddenly turning sour in his mind is reinforced with the theft of his British passport contributing to a feeling of a loss of identity. To conclude I feel I have demonstrated how the stories titles relate to the overall meaning of the story and how symbolism is used to portray characters and to enhance the mood and tone of the narrative. Where possible I have provided key examples to support my ideas and to illustrate my understanding of the texts.